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competition
challenge

program
components

space
requirements
required drawings
design essay
presentation format
tabular information

registration
& fees
eligibility
awards
submission form
jury members
evaluation criteria
shipping instructions
schedule
important notes
intent to register

message
forum

.dwg
and photos
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COMPETITION
REGISTRATION
All participants must
register for the competition to receive a submission form that will be
attached to their presentation materials as identification. The cost of
registration is $50 US for each entrant or team of entrants. Submittals
that do not contain a submission form verifying registration will not
be judged. All information and materials needed to successfully participate
in the competition are contained on this web site; however, participants
must register with the PVAC by April 30, 2000 to be eligible for prizes.
The non-refundable registration fee of $50 in US funds must accompany
the registration form found elsewhere on this site. Payment may be made
by International Money Order or check, payable to "Palos Verdes Art Center."
Registered participants will receive a submission form by return mail,
which must accompany their finished presentation materials in order to
be eligible for award and exhibition.
Registration requests
received after the deadline cannot be returned. Please allow sufficient
time for your registration form to reach Los Angeles by April 30, 2000.
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Send
Registration Form with payment to:
PALOS VERDES ART CENTER
attn: Competition Registration
5504 West Crestridge Road
Rancho Palos Verdes, CA 90275 U.S.A. |
Download Printable
Registration Form * requires free Adobe Acrobat
Reader
ELIGIBILITY
The Competition is
open to all design professionals, artists, architects and students of
architecture or the arts. Teams are welcome to participate. Awards will
be made to winning teams through a pre-designated team leader for distribution
to team members.
AWARDS
Award of published
cash prizes and exhibition of winning and notable schemes are the Center's
commitment to entrants. The right to enter into an agreement to provide
architectural design services is reserved by the Palos Verdes Art Center.
The jury will convene on August 5, 2000 to select winning projects and
honorable mentions. Winners will be notified of the competition results
by telephone and/or mail. A press release listing all winning projects
will be posted on this web site in September 2000.
Winning presentations
will receive cash prizes totaling $10,000 US, with distribution as follows:
| First
Prize |
$5,000
|
(Jury
Award) |
| Second
Prize |
$2,000
|
(Jury
Award) |
| Third
Prize |
$1,000
|
(Jury
Award) |
| Noteworthy
(2) |
$
500 each |
(These
will be Public and Directors' Awards) |
| Best
Student Work |
$1,000
|
(Jury
Award - Students are also eligible for First, Second, Third and/or
Noteworthy) |
Up to three additional
projects will be selected for Honorable Mentions without a cash award.
Prize-winning submissions will be exhibited at the PVAC in Los Angeles
from August 5 - September 10, 2000.
SUBMISSION
FORM
Each project must
be accompanied by a completed project submission form, which will be mailed
to all registered participants following receipt of the $50 registration
fee. A completed copy of the form must be enclosed in an unsealed envelope
firmly affixed to the back of each board.
Download Printable
Registration Form * requires free Adobe Acrobat
Reader
JURY
| Philippa
Blair, Venice, CA |
 |
Ms.
Blair is a mid-career artist working in Los Angeles. Her recent works
have been influenced by the location of her new studio in Venice,
an area of LA along the ocean criss-crossed by canals, which she refers
to as a "portrait of an urban dynamic in the presence of nature."
Drawing is a very important component in her painting process. The
symbolic use of literal and figurative landmarks, architectural plan/elevation,
aerial vision, human mobility and location serve as her inspiration.
She is included in collections of the New Zealand Embassy, Tokyo,
Hong Kong & Shanghai Bank, New York, and Atlantic Richfield Corp.
in Los Angeles. Philippa is a visiting artist at Art Center College
of Design in Pasadena, and she teaches 2D Design at College of the
Canyons. Originally from New Zealand, she now lives year-round in
Venice with architect-husband John Porter in a home/studio they completed
in 1997. |
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| Mark
Mack, AIA, Venice, California |
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Mark Mack was
born in 1949 in Judenburg, Austria. He attended Technical High School
in Graz and later entered the Academy of Fine Arts in Vienna. During
that time, he worked for Steiger & Partners in Zurich and Atelier
Hans Hollein in Vienna.
After graduation
in 1973, he came to America to work with Hausrucker and Emilio Ambasz,
Inc. in New York until 1976. He later moved to San Francisco and
worked as an architect and free lance renderer. In1976, he founded
Western Addition, an organization devoted to fine architecture.
He formed Batey and Mack in 1978 with partner Andrew Batey. Mark
co-founded and edited "Archetype Magazine" in 1980. Mark has lectured
widely throughout the United States and Europe for professional
conferences as well as academic forums. His written and built projects
have been and continue to be published by major international publications.
In 1984, he
founded his own firm, MACK Architect(s). He has held positions as
Professor of Architecture at the University of California, Berkeley
and since 1993 at the University of California, Los Angeles. A Monograph
entitled "Mark Mack, A Californian Architect" was published by Wasmut
in 1994. Major Exhibitions on his work were shown at the San Francisco
Museum of Modern Art in1993 and the Museum of Applied Art in Vienna
in 1994. In 1993, he moved his practice to Los Angeles and in1996,
he opened a branch office, MACK International, in Judenburg, Austria.
He now lives in Venice, California with his wife Faiza and son Mehammed.
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| Michael
Webb,
Los Angeles |
 |
Michael Webb
writes on architecture and design, travel and film. His books include:
It's a Great Wall! and Moore Ruble Yudell Build in Berlin (both
2000), Through the Windows of Paris (1999), four monographs on residential
architecture, Designing the New Jersey Performing Arts Center (1998),
Architecture + Design LA (1997), Architects House Themselves (1994),
LA Access Guide (1992), The City Square / Die Mitte der Stadt (1990),
Hollywood.- Legend and Reality (Literary Guild selection,1986),
Magic of Neon (1983), and Architecture in Britain Today (1969).
Several of these books are illustrated with the author's photographs,
which have also been published in leading magazines, and exhibited
in a Smithsonian Institution traveling exhibition.
Webb is executive
editor for the city architecture guides of The Understanding Business,
most recently New York City. He is a contributing editor for Domus
and Interiors; a regular writer for Architectural Digest, Belle,
Graphis, Hospitality Design, Los Angeles Times Magazine, Metropolis,
Robb Report, and UCLA; and an occasional correspondent for A + U,
Architecture, The New York Times, and Smithsonian.
In 1980, Webb
moved to Los Angeles to write and consult on the arts. He developed
a theatrical feature, wrote and co-produced a Smithsonian documentary,
The Movie Palaces, an Emmy-nominated special on the history of Hollywood,
and a DVD segment on Frank Gehry. He has served as a consultant
on film for the Chrysler Corporation, Dentsu, Melvin Simon Associates,
Mark Taper Forum, and the Wolfsonian Foundation. He curated Hollywood:
Legend and Reality, the acclaimed Smithsonian exhibition, which
toured to leading museums in the US and Japan; wrote the companion
book, and created film sequences within the exhibition. More recently
he contributed an essay on Blade Runner to Film Architecture (Prestel
Verlag).
|
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| Phillip
Max Cheshire, Auckland, New Zealand |
 |
Pip
Cheshire is Managing Director of JASMAX Architects, one of New Zealand's
largest and most frequently published firms. Recently completed projects
include the Museum of New Zealand in Wellington (1997), The Bruce
Mason Theatre (1997), Auckland Institute of Technology Buildings (1997,
1999), Restoration of the Auckland Town Hall (1998) and the Auckland
Civic Theatre (1999). Other projects include a number of custom homes,
and health care and resort projects dotted along the Pacific Rim.
Pip Cheshire is chairperson of the Auckland Branch of the New Zealand
Institute of Architects, a frequent judge of awards and competitions
and a keen observer of international developments in architecture.
He lectures frequently on design at university level in his home country
and abroad. |
| Todd
Bennitt, ASLA, Santa Monica, CA |
 |
Currently
an Associate Principal with E D S A, Edward D. Stone Jr. and Associates,
Todd Bennitt has 24 years of planning and landscape architecture experience
ranging from the planning of national historic sites to principal
design roles in international resort and urban redevelopment projects.
Before joining E D S A in 1998, he was a Principal of Sasaki Associates,
Inc., managing their international practice in Southern California.
His most recent project assignments include mater planning and detailed
design for LEGOLAND, California as well as extensive landscape development
for Casa Palmero, a new lodging experience at the Pebble Beach Resort
in Carmel, California. In addition to commercial and resort experience,
Mr. Bennitt has created expansive private gardens for many well known
international entertainment and business celebrities. |
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| Eric
Lloyd Wright, Malibu, California |
 |
In 1948, Eric
joined his grandfather Frank Lloyd Wright, as an apprentice at the
Taliesin Fellowship, where we worked as draftsman and construction
supervisor for the Guggenheim Museum in New York. He left the Fellowship
in 1956 to join his father Lloyd Wright, in his architectural practice
in Los Angeles, and in 1979 he formed his own office. Through years
of design experience, Eric Wright has developed an understanding
that it is not the physical walls and roof, but the space within
a building that forms its character - its soul. He gives careful
thought to a project's physical, social and spiritual environment,
with a focus on appropriate materials, quality, craftsmanship and
careful detailing. Eric currently serves on the Board of Directors
of the Frank Lloyd Wright Foundation and the Taliesin Preservation
Council. In association with Lloyd Wright, he has designed renovations
for several of his grandfather's important works including Hollyhock
House, Unity Temple and the Frank Lloyd Wright Home and Studio in
Oak Park, Illinois. His work on the Storer Residence in Los Angeles
received the First Place Restoration Award from the California Chapter
of the American Institute of Architects.
Eric's recent
contribution as consultant to architect Dean Andrews for the design
of the Visitor's Center for the Wayfarer's Chapel in Palos Verdes,
is intended to help make the new center an accompaniment to the
original building which he worked on with his father three decades
earlier. His other recent work has included custom residences, institutional
and commercial projects throughout the United States.
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| Scott
Ward, Pasadena, CA |
 |
Scott Ward is
Executive Director of the Palos Verdes Art Center and a fine art
photographer. He has been curator and juror for numerous public
exhibitions and has had his own work exhibited in solo and group
shows nationwide. He is represented in the permanent collections
of the J. Paul Getty Museum and the California Institute of the
Arts. He has curated exhibitions covering such diverse topics as
Los Angeles in the ‘30s, Vietnamese-American Artists, California
Landscapes, Documentary Photography and Egyptian Papyrus. He has
served as a juror for the public art component of the Los Angeles
Metropolitan Transit Authority’s green line stations as well as
for numerous museum and gallery exhibitions in photography, watercolor,
ceramics and mixed media.
An M.F.A. graduate
in photography from California Institute of the Arts, Scott came
to the Art Center after 10 years as executive director of the Downey
Museum of Art. In his current position at the PVAC, he provides
artistic direction and financial oversight for the Center’s exhibitions,
education and development programs and community outreach activities.
Scott has taught more than 125 fine art photography courses in colleges
and universities throughout southern California.
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EVALUATION
CRITERIA
The final result of
the design process will be a submission of up to four presentation boards
describing the design solution (see requirements below). In addressing
the specific issues of the design challenge, submissions will be judged
using the following evaluation criteria:
- Architectural
realization of the Art Center's mission: "To Celebrate, Appreciate And
Create Art."
- Strength of architectural
concepts including narrative, layering, transition, coherence of architectural
vocabulary, iconography, etc.
- Integration of
functional aspects of the program into a coherent and appropriate architectural
whole
- Relationship of
the facility to the site, landscape, context
- Creative insight
and individual interpretation of the design challenge
SHIPPING
INSTRUCTIONS
Entries should be
shipped in cardboard boxes or other sturdy wrapping with protection provided
at corners. Return addresses should be included on exterior package labeling
only (see additional information regarding anonymity elsewhere in this
document).
Excessive non-biodegradable
packaging materials should be avoided to reduce waste and protect the
environment.
All entries must be
received at PVAC in Los Angeles by 5:00 P.M., local time, July 31, 2000.
Please note that due to the number of entries, PVAC will not send acknowledgment
of receipt.
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Ship
to:
PALOS VERDES ART CENTER
attn: International Design Competition 2000
5504 West Crestridge Road
Rancho Palos Verdes, CA 90275 U.S.A. |
PVAC cannot be responsible
for customs processing or related fees; C.O.D. shipments cannot be accepted
SCHEDULE
| April
30, 2000 |
Deadline
for receipt of $50 registration fee by PVAC |
| July
31, 2000 |
Deadline
for receipt of entries in Los Angeles |
| August
5, 2000 |
Prize
winners and honorable mentions chosen by the jury |
| August
9, 2000 |
Awards
(notification and check) mailed to winning entrants |
| Autumn
2000 |
Los
Angeles exhibition of winning and noteworthy entries |
IMPORTANT
NOTES
Entries cannot and
will not be returned to participants under any circumstances. Upon receipt
they become the property of PVAC. Entrants submitting original material
for this competition should ensure that they have adequate reproductions
before sending their work.
The PVAC reserve the
right to publish drawings, written descriptions and photographs of entries
and the names of entrants, without compensation.
FOR
MORE INFORMATION
Please use the Competition
Discussion Forum to convey written questions to the Art Center's representatives.
Every effort will be made to respond to written inquiries within 24 hours.
Responses will be posted in the Competition Discussion Forum on this web
site.
INTENT
TO REGISTER
Registration is now
closed. Please watch this site for an announcement of the winning schemes
in August 2000.
©
1999 P.V.I.D.C. - Los Angeles
December 1999. All Rights Reserved
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