competition challenge


program components


space requirements
required drawings
design essay
presentation format
tabular information


registration & fees
eligibility
awards
submission form
jury members
evaluation criteria
shipping instructions
schedule
important notes

intent to register


message forum


.dwg and photos


COMPETITION REGISTRATION

All participants must register for the competition to receive a submission form that will be attached to their presentation materials as identification. The cost of registration is $50 US for each entrant or team of entrants. Submittals that do not contain a submission form verifying registration will not be judged. All information and materials needed to successfully participate in the competition are contained on this web site; however, participants must register with the PVAC by April 30, 2000 to be eligible for prizes. The non-refundable registration fee of $50 in US funds must accompany the registration form found elsewhere on this site. Payment may be made by International Money Order or check, payable to "Palos Verdes Art Center." Registered participants will receive a submission form by return mail, which must accompany their finished presentation materials in order to be eligible for award and exhibition.

Registration requests received after the deadline cannot be returned. Please allow sufficient time for your registration form to reach Los Angeles by April 30, 2000.

  Send Registration Form with payment to:
PALOS VERDES ART CENTER
attn: Competition Registration
5504 West Crestridge Road
Rancho Palos Verdes, CA 90275 U.S.A.
Download Printable Registration Form * requires free Adobe Acrobat Reader

ELIGIBILITY

The Competition is open to all design professionals, artists, architects and students of architecture or the arts. Teams are welcome to participate. Awards will be made to winning teams through a pre-designated team leader for distribution to team members.


AWARDS

Award of published cash prizes and exhibition of winning and notable schemes are the Center's commitment to entrants. The right to enter into an agreement to provide architectural design services is reserved by the Palos Verdes Art Center. The jury will convene on August 5, 2000 to select winning projects and honorable mentions. Winners will be notified of the competition results by telephone and/or mail. A press release listing all winning projects will be posted on this web site in September 2000.

Winning presentations will receive cash prizes totaling $10,000 US, with distribution as follows:

First Prize $5,000 (Jury Award)
Second Prize $2,000 (Jury Award)
Third Prize $1,000 (Jury Award)
Noteworthy (2) $ 500 each (These will be Public and Directors' Awards)
Best Student Work $1,000 (Jury Award - Students are also eligible for First, Second, Third and/or Noteworthy)

Up to three additional projects will be selected for Honorable Mentions without a cash award. Prize-winning submissions will be exhibited at the PVAC in Los Angeles from August 5 - September 10, 2000.

 

SUBMISSION FORM

Each project must be accompanied by a completed project submission form, which will be mailed to all registered participants following receipt of the $50 registration fee. A completed copy of the form must be enclosed in an unsealed envelope firmly affixed to the back of each board.
Download
Printable Registration Form * requires free Adobe Acrobat Reader

 

JURY

Philippa Blair, Venice, CA
Ms. Blair is a mid-career artist working in Los Angeles. Her recent works have been influenced by the location of her new studio in Venice, an area of LA along the ocean criss-crossed by canals, which she refers to as a "portrait of an urban dynamic in the presence of nature." Drawing is a very important component in her painting process. The symbolic use of literal and figurative landmarks, architectural plan/elevation, aerial vision, human mobility and location serve as her inspiration. She is included in collections of the New Zealand Embassy, Tokyo, Hong Kong & Shanghai Bank, New York, and Atlantic Richfield Corp. in Los Angeles. Philippa is a visiting artist at Art Center College of Design in Pasadena, and she teaches 2D Design at College of the Canyons. Originally from New Zealand, she now lives year-round in Venice with architect-husband John Porter in a home/studio they completed in 1997.
   
Mark Mack, AIA, Venice, California

Mark Mack was born in 1949 in Judenburg, Austria. He attended Technical High School in Graz and later entered the Academy of Fine Arts in Vienna. During that time, he worked for Steiger & Partners in Zurich and Atelier Hans Hollein in Vienna.

After graduation in 1973, he came to America to work with Hausrucker and Emilio Ambasz, Inc. in New York until 1976. He later moved to San Francisco and worked as an architect and free lance renderer. In1976, he founded Western Addition, an organization devoted to fine architecture. He formed Batey and Mack in 1978 with partner Andrew Batey. Mark co-founded and edited "Archetype Magazine" in 1980. Mark has lectured widely throughout the United States and Europe for professional conferences as well as academic forums. His written and built projects have been and continue to be published by major international publications.

In 1984, he founded his own firm, MACK Architect(s). He has held positions as Professor of Architecture at the University of California, Berkeley and since 1993 at the University of California, Los Angeles. A Monograph entitled "Mark Mack, A Californian Architect" was published by Wasmut in 1994. Major Exhibitions on his work were shown at the San Francisco Museum of Modern Art in1993 and the Museum of Applied Art in Vienna in 1994. In 1993, he moved his practice to Los Angeles and in1996, he opened a branch office, MACK International, in Judenburg, Austria. He now lives in Venice, California with his wife Faiza and son Mehammed.

   
Michael Webb, Los Angeles

Michael Webb writes on architecture and design, travel and film. His books include: It's a Great Wall! and Moore Ruble Yudell Build in Berlin (both 2000), Through the Windows of Paris (1999), four monographs on residential architecture, Designing the New Jersey Performing Arts Center (1998), Architecture + Design LA (1997), Architects House Themselves (1994), LA Access Guide (1992), The City Square / Die Mitte der Stadt (1990), Hollywood.- Legend and Reality (Literary Guild selection,1986), Magic of Neon (1983), and Architecture in Britain Today (1969). Several of these books are illustrated with the author's photographs, which have also been published in leading magazines, and exhibited in a Smithsonian Institution traveling exhibition.

Webb is executive editor for the city architecture guides of The Understanding Business, most recently New York City. He is a contributing editor for Domus and Interiors; a regular writer for Architectural Digest, Belle, Graphis, Hospitality Design, Los Angeles Times Magazine, Metropolis, Robb Report, and UCLA; and an occasional correspondent for A + U, Architecture, The New York Times, and Smithsonian.

In 1980, Webb moved to Los Angeles to write and consult on the arts. He developed a theatrical feature, wrote and co-produced a Smithsonian documentary, The Movie Palaces, an Emmy-nominated special on the history of Hollywood, and a DVD segment on Frank Gehry. He has served as a consultant on film for the Chrysler Corporation, Dentsu, Melvin Simon Associates, Mark Taper Forum, and the Wolfsonian Foundation. He curated Hollywood: Legend and Reality, the acclaimed Smithsonian exhibition, which toured to leading museums in the US and Japan; wrote the companion book, and created film sequences within the exhibition. More recently he contributed an essay on Blade Runner to Film Architecture (Prestel Verlag).

 
Phillip Max Cheshire, Auckland, New Zealand
Pip Cheshire is Managing Director of JASMAX Architects, one of New Zealand's largest and most frequently published firms. Recently completed projects include the Museum of New Zealand in Wellington (1997), The Bruce Mason Theatre (1997), Auckland Institute of Technology Buildings (1997, 1999), Restoration of the Auckland Town Hall (1998) and the Auckland Civic Theatre (1999). Other projects include a number of custom homes, and health care and resort projects dotted along the Pacific Rim. Pip Cheshire is chairperson of the Auckland Branch of the New Zealand Institute of Architects, a frequent judge of awards and competitions and a keen observer of international developments in architecture. He lectures frequently on design at university level in his home country and abroad.
Todd Bennitt, ASLA, Santa Monica, CA
Currently an Associate Principal with E D S A, Edward D. Stone Jr. and Associates, Todd Bennitt has 24 years of planning and landscape architecture experience ranging from the planning of national historic sites to principal design roles in international resort and urban redevelopment projects. Before joining E D S A in 1998, he was a Principal of Sasaki Associates, Inc., managing their international practice in Southern California. His most recent project assignments include mater planning and detailed design for LEGOLAND, California as well as extensive landscape development for Casa Palmero, a new lodging experience at the Pebble Beach Resort in Carmel, California. In addition to commercial and resort experience, Mr. Bennitt has created expansive private gardens for many well known international entertainment and business celebrities.
   
Eric Lloyd Wright, Malibu, California

In 1948, Eric joined his grandfather Frank Lloyd Wright, as an apprentice at the Taliesin Fellowship, where we worked as draftsman and construction supervisor for the Guggenheim Museum in New York. He left the Fellowship in 1956 to join his father Lloyd Wright, in his architectural practice in Los Angeles, and in 1979 he formed his own office. Through years of design experience, Eric Wright has developed an understanding that it is not the physical walls and roof, but the space within a building that forms its character - its soul. He gives careful thought to a project's physical, social and spiritual environment, with a focus on appropriate materials, quality, craftsmanship and careful detailing. Eric currently serves on the Board of Directors of the Frank Lloyd Wright Foundation and the Taliesin Preservation Council. In association with Lloyd Wright, he has designed renovations for several of his grandfather's important works including Hollyhock House, Unity Temple and the Frank Lloyd Wright Home and Studio in Oak Park, Illinois. His work on the Storer Residence in Los Angeles received the First Place Restoration Award from the California Chapter of the American Institute of Architects.

Eric's recent contribution as consultant to architect Dean Andrews for the design of the Visitor's Center for the Wayfarer's Chapel in Palos Verdes, is intended to help make the new center an accompaniment to the original building which he worked on with his father three decades earlier. His other recent work has included custom residences, institutional and commercial projects throughout the United States.

 
Scott Ward, Pasadena, CA

Scott Ward is Executive Director of the Palos Verdes Art Center and a fine art photographer. He has been curator and juror for numerous public exhibitions and has had his own work exhibited in solo and group shows nationwide. He is represented in the permanent collections of the J. Paul Getty Museum and the California Institute of the Arts. He has curated exhibitions covering such diverse topics as Los Angeles in the ‘30s, Vietnamese-American Artists, California Landscapes, Documentary Photography and Egyptian Papyrus. He has served as a juror for the public art component of the Los Angeles Metropolitan Transit Authority’s green line stations as well as for numerous museum and gallery exhibitions in photography, watercolor, ceramics and mixed media.

An M.F.A. graduate in photography from California Institute of the Arts, Scott came to the Art Center after 10 years as executive director of the Downey Museum of Art. In his current position at the PVAC, he provides artistic direction and financial oversight for the Center’s exhibitions, education and development programs and community outreach activities. Scott has taught more than 125 fine art photography courses in colleges and universities throughout southern California.

EVALUATION CRITERIA

The final result of the design process will be a submission of up to four presentation boards describing the design solution (see requirements below). In addressing the specific issues of the design challenge, submissions will be judged using the following evaluation criteria:

  • Architectural realization of the Art Center's mission: "To Celebrate, Appreciate And Create Art."
  • Strength of architectural concepts including narrative, layering, transition, coherence of architectural vocabulary, iconography, etc.
  • Integration of functional aspects of the program into a coherent and appropriate architectural whole
  • Relationship of the facility to the site, landscape, context
  • Creative insight and individual interpretation of the design challenge

 

SHIPPING INSTRUCTIONS

Entries should be shipped in cardboard boxes or other sturdy wrapping with protection provided at corners. Return addresses should be included on exterior package labeling only (see additional information regarding anonymity elsewhere in this document).

Excessive non-biodegradable packaging materials should be avoided to reduce waste and protect the environment.

All entries must be received at PVAC in Los Angeles by 5:00 P.M., local time, July 31, 2000. Please note that due to the number of entries, PVAC will not send acknowledgment of receipt.

  Ship to:
PALOS VERDES ART CENTER
attn: International Design Competition 2000
5504 West Crestridge Road
Rancho Palos Verdes, CA 90275 U.S.A.

PVAC cannot be responsible for customs processing or related fees; C.O.D. shipments cannot be accepted

 

SCHEDULE

April 30, 2000 Deadline for receipt of $50 registration fee by PVAC
July 31, 2000 Deadline for receipt of entries in Los Angeles
August 5, 2000 Prize winners and honorable mentions chosen by the jury
August 9, 2000 Awards (notification and check) mailed to winning entrants
Autumn 2000 Los Angeles exhibition of winning and noteworthy entries

 

IMPORTANT NOTES

Entries cannot and will not be returned to participants under any circumstances. Upon receipt they become the property of PVAC. Entrants submitting original material for this competition should ensure that they have adequate reproductions before sending their work.

The PVAC reserve the right to publish drawings, written descriptions and photographs of entries and the names of entrants, without compensation.

 

FOR MORE INFORMATION

Please use the Competition Discussion Forum to convey written questions to the Art Center's representatives. Every effort will be made to respond to written inquiries within 24 hours. Responses will be posted in the Competition Discussion Forum on this web site.

 

INTENT TO REGISTER

Registration is now closed. Please watch this site for an announcement of the winning schemes in August 2000.

© 1999 P.V.I.D.C. - Los Angeles
     December 1999. All Rights Reserved


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