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competition
challenge

program
components

space
requirements
required drawings
design essay
presentation format
tabular information

registration
& fees
eligibility
awards
submission form
jury members
evaluation criteria
shipping instructions
schedule
important notes
intent
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forum

.dwg
and photos
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SPECIFIC
SPACE PROGRAM REQUIREMENTS
| Following
are the minimum required spaces for the completed building.
Existing building drawings are available
on this web site, and should be used as a point of departure for designer
innovation and invention. |
| Lobby
/ Reception Area |
|
750
SF |
| |
Entrance
Lobby |
250
SF |
|
| |
|
Includes
reception desk / work station |
|
|
| |
|
Continuous
with Main Gallery |
|
|
| |
Public
Restrooms |
500
SF |
|
| |
|
Includes
2-stall men's / 3-stall women's ADA Compliant (handicap-accessible)
Janitor's closet / supply storage |
|
|
| |
|
|
|
|
| Administrative
Offices |
|
1800
SF |
| |
Executive
Director's Office |
150
SF |
|
| |
Eight
(8) Staff Offices (100 SF each) |
800
SF |
|
| |
Staff
Conference Room |
200
SF |
|
| |
Docent
Room / Lunch Room |
150
SF |
|
| |
|
Conference
table, lockers, coffee station |
|
|
| |
Work
Room |
175
SF |
|
| |
|
Copier,
fax, work table, supply closet |
|
|
| |
Graphics
Workstation |
150
SF |
|
| |
|
Lay-out
table, copy stand, printer, scanner |
|
|
| |
Administrative
Storage Room |
100
SF |
|
| |
|
Shelving,
closets, bin storage |
|
|
| |
Staff
Toilet (unisex) |
75
SF |
|
| |
|
|
|
|
| Exhibition
Galleries |
|
5000SF |
| |
Stewart
Gallery |
800
SF |
|
| |
|
Hanging
walls, hard flooring, exhibit lighting |
|
|
| |
Beckstrand
Gallery |
800
SF |
|
| |
|
Hanging
walls, hard flooring, exhibit lighting |
|
|
| |
Norris
Gallery and Library |
800
SF |
|
| |
|
Hanging
walls, hard floor covering, exhibit lighting, |
|
|
| |
|
Book
shelves, print storage, slide storage, |
|
|
| |
|
Video
storage, card catalogue, etc. |
|
|
| |
Chacksfield
Print Gallery |
500
SF |
|
| |
|
Hanging
walls, hard floor covering, exhibit lighting |
|
|
| |
Feature
Gallery and Auditorium |
2100
SF |
|
| |
|
Hanging
walls, movable or flexible partitions, |
|
|
| |
|
Zoned
exhibit lighting (room can be sub-divided) |
|
|
| |
|
Includes
accommodation for acoustics for film, video |
|
|
| |
|
Lectures,
movable seating for 150 people for |
|
|
| |
|
Banquets
and seating for 200 people for lectures |
|
|
| |
|
|
|
|
| Staging
Kitchen |
|
150
SF |
| |
|
For
catering, with close access to public space(s) |
|
|
| |
|
|
|
|
| Exhibition
Storage Room |
|
350
SF |
| |
|
|
|
|
| Exhibition
Restrooms |
|
650
SF |
| |
|
|
|
|
| Patio
/ Exterior Sculpture Court / Gathering Space |
|
2500
SF |
| |
|
|
|
|
| Commercial
Kitchen (with capacity for teaching) |
|
900
SF |
| |
Prep
Room |
350
SF |
|
| |
Food
Lockers |
100
SF |
|
| |
Serving
Area |
200 SF |
|
| |
Pantry
/ Dishes / Wine Storage |
150
SF |
|
| |
Catering
Office (area) |
50
SF |
|
| |
Washer
/ Dryer area (linens and laundry) |
50
SF |
|
| |
|
|
|
|
| The
Artists' Studio (Retail Space) |
|
800
SF |
| |
Retail
Sales Floor |
550
SF |
|
| |
|
With
display modules for Jewelry, clothing, ceramics, |
|
|
| |
|
small
sculpture, wearable art, small prints, etc. |
|
|
| |
Retail
Storage Area |
250
SF |
|
| |
|
|
|
|
| Studio
Spaces (all to include sinks and counter tops for clean-up) |
|
3650
SF |
| |
Ceramics
Studio |
750
SF |
|
| |
|
Includes
dedicated rest room, glaze room |
|
|
| |
Outdoor
kiln area |
250
SF |
|
| |
|
Adjacent
to Ceramics Studio |
|
|
| |
Painting
/ Drawing Studio |
750 SF |
|
| |
Photography
Studio |
500 SF |
|
| |
Adjacent
Dark Room |
150
SF |
|
| |
|
Includes
separate sink and counters all around |
|
|
| |
Fiber
Arts Studio |
750 SF |
|
| |
Studio
Supply Storage (Art At Your Fingertips) |
500
SF |
|
| |
|
|
|
|
| Classrooms
|
|
800
SF |
| |
Printmaking
|
400
SF |
|
| |
Multi-Discipline
|
400
SF |
|
| |
|
|
|
|
| Community
Space |
|
800
SF |
| |
|
|
|
|
| Artists'
Meeting Room (with storage) |
|
250
SF |
| |
|
|
|
|
| Mechanical
Space (HVAC,
phones, etc.)
|
|
500
SF |
| |
|
|
|
|
| Trash
and Receiving Areas (combined)
|
|
250
SF |
| |
|
Located
on outside wall with service access |
|
|
| |
|
for
vehicles, deliveries, etc. |
|
|
| |
|
|
|
|
| TOTAL
PROGRAMMED AREA (roughly) |
|
19,150
SF |
Note: The total
above should be grossed-up by 15-20% for general circulation.
Additional desires
for non-programmed space include:
Memorial Garden /
Sculpture Garden
Opportunities for Donor Recognition
Landmark Sign "Palos Verdes Art Center" and thoughts on Changing Exhibit
Signage
Parking (combined surface and structured) for 125 cars
Commercial Bus loading zone (may be on Crenshaw Blvd. or West Crestridge)
Additional design
considerations include:
Consideration of Feng
Shui (Asian Art of Harmonious Placement)
Public Entrance 'through' Feature Gallery is seen as desirable
City Code requires 25-foot set backs from streets and 20-foot from property
line
City Code specifies 16-foot height limitation (may be waived by hearing)
Due to significant high-speed traffic, access from Crenshaw Blvd. is not
feasible
Secondary entrance for students or members is desirable (non-public entry)
All designs must be fully accessible for the differently abled
A "campus atmosphere" is desirable
Phasing of construction may be necessitated by funding availability
All of California
is subject to earthquake - this site is in an active seismic zone.
MINIMUM REQUIRED DRAWINGS
Each presentation
must directly address the specific issues outlined in the design challenge
and evaluation criteria, including (but not limited to) the following
required drawings:
- ground floor and
site plan showing the relationship of surrounding development, parking,
landscaping and pedestrian and vehicular circulation
- additional floor
plans, as applicable
- elevations and/or
sections sufficient to show site context and major program elements
- large-scale drawing(s),
either orthographic or three-dimensional, illustrating important, character-defining
interior and exterior building details
- two (2) three-dimensional
representations, in the form of either axonometric, perspective or model
photographs, one of which should illustrate the character of the building
exterior and one of which should illustrate a major public space of
the designer's choosing
Incomplete or undocumented
entries are subject to disqualification. All drawings should be drawn
at a scale appropriate to the design solution. Site plans are required
at 1/16" =1'-0", and elevations are required at 1/8" = 1'-0". Include
a graphic scale and north arrow as appropriate and orient plan drawings
vertically with north facing 'up'.
DESIGN ESSAY
A brief essay (in
English - 300 words or less) must appear as part of the presentation boards,
mounted on the front side so as to be visible in the exhibition, describing
the most important concepts of the scheme. Essays need not be lengthy.
The presentation should graphically convey the design solution and context,
and therefore it should not rely upon the essay for a basic understanding
of the scheme. The essay's purpose is to inform viewers and the jury of
the designer's primary intention(s) or concerns. Narratives may be hand-lettered
or typeset at the designer's discretion, but must be legible from several
feet for exhibition purposes. 11 point type or 1/8" lettering is considered
adequate from this distance.
PRESENTATION FORMAT
Drawings must be firmly
mounted or drawn directly on no more than four (4) 24" x 36" (61cm x 91.5
cm) illustration, foamcore or other stiff lightweight mounting boards.
All boards must be designed to be presented VERTICALLY (portrait format).
Additional three-dimensional materials (chipboard or basswood models,
etc.) are encouraged, as they are informative and will be considered by
the jury. Space limitations may dictate that models not be included in
the exhibition, except in the case of winning schemes. If used, photographs
of models or three-dimensional work must be incorporated into and will
be counted as a part of the four board maximum. Any other type of presentation
(unmounted, mounted on wood, metal or glass) will be disqualified.
The names of entrants
must not appear on the front of any materials submitted for judging. An
unsealed envelope holding a copy of the completed project submission form
(see below) must be affixed to the back of each board. Photocopies of
the form are acceptable for this purpose. Any three-dimensional submissions
should also include an envelope and submission form in a location not
visible to the jury, to ensure that models do not become separated from
the required presentation boards.
All boards should
be numbered on the back in the order in which they should be exhibited
(i.e., 1 of 4, 2 of 4, etc.). Participants should keep in mind that end-to-end
display of presentation boards is acceptable. Accordingly, participants
may use text or graphics that cross over from board to board.
The use of color in
presentations is encouraged, as is the use of photomontage, collage and
other "non-traditional" architectural presentation techniques. Entries
may be either originals or high-quality reproductions. Participants are
encouraged to make adequate photographic and/or digital reproductions
of their presentation prior to submission.
Please note
that presentation boards and models cannot be returned under any circumstances.
TABULAR INFORMATION
Submissions should
include brief tabular information, on the site plan board, outlining the
number of parking spaces provided, the percentage of lot coverage in buildings
and in hardscape and the overall gross square footage of the building(s).
©
1999 P.V.I.D.C. - Los Angeles
December 1999. All Rights Reserved
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